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counterpoint

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	3	5	74%
		15	0	2	5	95%
		15	0	2	5	97%
		18	0	3	5	77%

Buxtehude - Trio Sonata No.4 in B. {Professional production full score.} Unfinished.

Jamie Holdham

1:10	Est. Play Time
220	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		9	10	0	2	100%
		13	5	0	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		9	10	0	2	100%
		13	5	0	2	100%
Cembalo.		12	0	0	2	100%
Violino.		19	0	3	6	79%
Viola da gamba.		17	0	4	6	42%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

F. Couperin: Troisième Leçon pour Mercredy Sainct à deux voix

BSG

2:51	Est. Play Time
56	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pan Flute		17	26	4	5	100%
Violoncello		20	0	4	5	100%
Soprano		13	0	2	10	95%
		13	0	2	10	93%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version

penne vodka

4:41	Est. Play Time
94	Measures
	2,285Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		23	22	7	5	97%
Violas		24	23	7	6	96%
Violins I		29	8	8	5	81%
Bassoons		29	17	9	4	75%
Violoncellos		20	0	6	6	72%
Oboes		21	18	6	6	68%
Clarinets in B♭		24	23	7	6	63%
Contrabasses		20	0	6	6	60%
Flutes		28	25	9	6	58%
Horns in F		17	16	4	7	33%
		19	17	5	7	48%
Timpani		3	0	0	5	24%
Trumpets in B♭		15	13	2	3	21%

Be Thou My Vision Small Orchestra

Threespot@aol.com

2:33	Est. Play Time
102	Measures
	1,214Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano		20	40	4	6	46%
		15	18	1	5	55%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano		20	40	4	6	46%
		15	18	1	5	55%
Strings, String Ensemble Hard		19	9	1	7	92%
Oboe, Oboe		10	0	0	9	60%
Timpani, Timpani		15	0	2	6	56%
B♭ Clarinet		14	0	1	7	51%
Horn in F		13	0	1	7	51%
Violins, String Ensemble		14	0	0	4	22%
		10	0	0	9	46%
Flute		14	0	0	7	30%
Violoncellos, String Ensemble		18	21	2	4	23%

Diatonic canons on an 8 note theme

boblucassen

4:40	Est. Play Time
73	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	12%
		5	0	0	3	12%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	6	12%
		5	0	0	3	12%
		17	0	1	6	34%
		19	0	3	6	69%
		16	0	3	6	96%
		9	0	0	5	98%

Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)

BSG

4:15	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
Reallzation		23	32	8	7	100%
Violoncello		20	0	4	4	100%

Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".

Threespot@aol.com

4:10	Est. Play Time
119	Measures
	1,628Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet		19	0	7	9	87%
Winds, Bright Flute		33	0	7	13	85%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet		19	0	7	9	87%
Winds, Bright Flute		33	0	7	13	85%
Oboe		17	0	4	9	85%
Viola		22	0	3	11	83%
Violoncello		18	0	2	9	82%
Erhu, Fiddle		17	0	2	8	80%
Contrabass		18	0	2	9	79%
Piccolo Trumpet		29	0	16	8	60%
Horn in F		31	0	17	8	54%
B♭ Clarinet, Clarinet Bright		18	0	3	9	30%

J. S. Bach: Wer nur den lieben Gott läßt walten (BWV 690, manualiter organ chorale prelude)

BSG

2:00	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Reed Organ		16	0	4	7	98%
		24	0	6	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Reed Organ		16	0	4	7	98%
		24	0	6	5	95%

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